William Levy

William Levy and Elizabeth Gutierez finally confirms about their separation. after 8 years relationship, elizabeth gutierrez ended her relationship with william levy.

Yes we know that william levy and elizabeth gutierrez was never married. elizabeth has 2 children from william levy. Wait anyway who is william levy? William levy was known as a telenovela actor who appear in triunfo del amor telenovela. Why is their relationship broke out? is there any reason? From many rumors and gossip that we heard that's due to william levy cheated with other woman such as Maite perroni his partner on triunfo del amor telenovelas. The split came about from a decision made by Gutierrez who then released a press statement confirming the new.

Insistent rumors aside, I've always stood next to William because back then I never had a reason to doubt the strength of our union. I have decided to end this relationship for the well-being of my children and myself. I must confess this wasn't an easy decision, but as a person, a women and a mother, I owe myself respect.

William's ex-assistant told TvNotas that William had slept with over 40 women and that Maite was William's "amor de su vida." It seems that there's another reason why elizabeth gutierrez ended her relationship with william levy such as the jealousy of william's career?

Ralph Fiennes "Defends Lord Voldemort" Harry Potters Movie

The actor reveals he wasn't sure he wanted to play the young wizard's nemesis at first but says now he can understand the villain's "loneliness."

While calling Voldemort -- aka He Who Must Not Be Named -- a "demonic spirit" and "satanic force," Fiennes told Newsweek that he tries to see the good everyone -- even villainous characters like Voldemort.

"Young Voldemort was an orphan and denied any kind of parental affection or love, so he's been an isolated figure from a very young age," he said. "But I always think there has to be the possibility of good in someone, too. It might have been eroded, repressed, suppressed or somehow distorted with-in him after he was really damaged."

Fiennes added that can "understand" Voldemort's "loneliness." His take is that the villain never had a love life and doesn't know what it means to love or be loved.

STORY: 'Harry Potter': 25 Surprising Facts About the Wizard's Wands, Props

"He's all about acquiring power and controlling and manipulating a lot of people," he said. "It can be thrilling and quite freeing to play, because all the rules disappear. "

He added that sometimes kids would come visit the set, and one even burst into tears.

"I felt very good about myself," Fiennes said, arguing that "children should be really scared of Lord Voldemort."

STORY: 'Harry Potter' Mania Builds Ahead of Final Film's Premiere

Fiennes has played Voldemort in four Harry Potter movies, starting with 2005's Harry Potter and the Goblet of Fire and ending with Harry Potter and the Deathly Hallows Part 2, which opens Friday. He was initially hesitant to sign on for the role, not having any familiarity with J.K. Rowling's book series.

"After I got the role, I pored over all the references in the books and found the passages where J.K. Rowling described him," he said. "Sometimes you can create a character off a real-life person, but often you create something out of yourself. As it turned out, I very much had a part in the way he looked. I found little physicalities in the role, and something always happened when I put those long, flowing robes on. That's when I felt Voldemort."

STORY: 'Harry Potter and the Deathly Hallows Part 2' Premiere Attracts Thousands to Rainy London

To play the villain, he had to shave his head on each day of shooting. He also had long fingernails that would break if he made a fist and reptilian skin that covered his hands. The whole process took about two hours. He's kept the dentures he wore in a jar in his study.

Fiennes added that he doesn't miss playing Voldemort.

"I have a sense of completion," he said. "Everyone was wanting it to come to its grand finale. Some actors enjoy signaling the evil in characters called 'bad guys,' but you want to be a human being first of all. Everyone has the potential to be corrupted. Everyone."

Alex Morgan Has a Boyfriend

The United States Women's Soccer team lost a heartbreaker in the World Cup Final to Japan in a penalty shoot-out but it wasn't as big as the heartbreak I felt after learning that Alex Morgan has a boyfriend. Yes, that Alex Morgan. The one who scored in the 69th minute (classic!) to put the United States up 1-0. Alex is dating Seattle Sounders FC forward Servando Carrasco, who she met in college where they both played soccer at University of California, Berkeley, alma mater of Sanford and Kirsten Cohen.

Worst.News.Ever. But before we get into the specifics of that relationship here's the awesome goal that she scored that I thought would win it until the USA choked harder than Terry Schiavo on a piece of steak.

Video: Sofia Vergara Teaches Elmo Spanish on 'Sesame Street'

Lucky Elmo gets to learn some Spanish from a beautiful teacher. Sofia Vergara became the latest "Modern Family" star to appear on "Sesame Street" to teach the kids how to pronounce some words. In a funny twist, Elmo critiques the star's appearance on his show and tries to break into primetime.

In the past, Vergara's co-stars such as Ty Burrell, Julie Bowen and Jesse Tyler Ferguson have all assisted the show to educate children. Vergara, who was born in Colombia, shot her cameo on Friday, April 8 but there is still no clue when the full version will air.

On another "Sesame" news, the United States is donating $20 million to Pakistan in order to fund a local version of the show. Set to air later this year, the Pakistan version would switch the original New York set with a Pakistani village and feature Rani, a six-year-old female Muppet with pigtails and a blue-and-white school uniform, who will speak in Urdu.

Lady GaGa to Play Mary Magdalene in 'Judas' Music Video

 Details about what to expect from the upcoming music video of Lady GaGa's second single have been revealed. In an interview with MTV, her creative director Laurieann Gibson spilled the beans that the Monster ringleader will portray Mary Magdalene in the video.

Playing opposite GaGa will be "Hawaii Five-0" actor Norman Reedus. The 42-year-old star is going to be the "Judas", and Laurieann has nothing but good words for him. "He was so prolific," she said before promising Little Monsters that the video will be "badass."

"I think that most people are already thinking that Gaga and the blasphemy and they're premeditating the approach and I think they'll be very shocked to find out how huge and really groundbreaking the message is and how freeing the message is for all the right reasons," she said. "And it's really going to shock the world."

Lifted from GaGa's May 23 studio release "Born This Way", "Judas" will be released on April 19. Its accompanying music video is expected to follow soon. GaGa filmed it over the weekend, and shared it with her Twitter followers, "Directing Judas video with my sister @boomkack is the most exciting artistic moment of my career. It's the greatest work we've done. Day 2."

Lady GaGa's Mary Magdalene Role Is Irrelevant, Catholic League Says

 Catholic league has reacted to recent news that Lady GaGa would play Mary Magdalene in her upcoming "Judas" music video. Talking to Hollywood Life, Bill Donohue, president of the Catholic League for Religious and Civil Rights, said, "This is a stunt."

He added, "I find GaGa to be increasingly irrelevant. She thinks she is going to be groundbreaking. She is trying to ripoff Christian idolatry to shore up her talentless, mundane and boring performances. Another ex-Catholic whose head is turned around."

"She is falling short. She wants to shock, does she actually believe her own BS?" Bill went on. "People have real talent, and then there is Lady GaGa. Is this the only way to jet up her performance? This isn't random, we are getting closer to Holy Week and Easter."

GaGa herself hasn't commented on that matter, but earlier this week in her "Gagavision No. 41" video message, she is seen confronting a fundamentalist male protester outside her concert. On her way to the concert venue, she stopped her car in front of the male, rolled down her window, and said, "Hi, I'm Lady GaGa."

When the man answered her coldly with "So?", she quickly countered him back, "I was thinking to myself, you obviously do care a little because you chose my concert." He then handed her a "Get out of hell free" card and added, "That's going to happen one day darling." Shrugging it off, she responded, "Well they better open up the gate."

Later, GaGa admitted that she felt disturbed by the encounter, saying "What I'm trying to understand is, there's 3000 people standing in my line, and nobody standing in your line. Who's goin' to hell?" She moreover said, "It just makes me sad that my fans have to see that. But I know it's just part of what I'm supposed to do."

Lifted from GaGa's May 23 studio release "Born This Way", "Judas" will be released on April 19. Its accompanying music video is expected to follow soon. Playing opposite GaGa in the video will be "Hawaii Five-0" actor Norman Reedus who is hired to tackle the role as Judas.

Kelly Clarkson and Rihanna to Perform on 'American Idol'

 After having the likes of Adam Lambert and Jennifer Hudson, "American Idol" might welcome another alum next week. Recent report claimed Kelly Clarkson is going to return to the "Idol" stage and sing "Don't You Wanna Stay", a duet with country crooner Jason Aldean.

Another musical guest who is rumored to take the stage of next week's result show is Rihanna. Fresh from wowing country music fans at the CMA Awards with her "California King Bed" performance which featured Jennifer Nettles, the Bajan songstress is reportedly expected to sing the song again for the Fox singing contest.

Last Thursday, "American Idol" sent home Pia Toscano, leaving eight remaining contestants to battle for the top 7 next week. The elimination of the 22-year-old aspiring singer shocked some of the celebrities and the judges. Snooki of the "Jersey Shore", for one, tweeted, "Pia should have won the whole thing! I'm not watchin Idol anuymore. I'm with JLO on this one..."

Megan Fox in First 'Passion Play' Trailer

First "Passion Play" trailer has been released. The preview, debuted via ET, features Megan Fox as a woman who has real wings on her. The video also sees Mickey Rourke and Bill Murray getting physical.

The drama film shares a story about love triangle between Fox's Lily, Rourke's Nate Granzini, and Murray's Happy Shannon. Lily is a cold woman who falls in love with Nate, a down-on-his-luck jazz trumpeter who takes her out of circus show. However, menacing Shannon wants to have Lily for himself.

Other actors supporting the film include Kelly Lynch, Rhys Ifans, Rory Cochrane, and Bud Cort. Mitch Glazer serves behind the lens, and provides the script as well. The drama film will get limited theatrical run on May 6.

ARTHUR Review

Just as surely as rain makes things wet, Arthur will make you laugh. Yet the film never justifies its existence—remake or not. Hollywood is determined to make Russell Brand a comedic lead, but simply placing his acquired comedic sensibilities in the star role doesn’t equal success. Throw in a bloated run time and a cute, but unromantic chemistry between Brand and Greta Gerwig, and we have the makings of a generic romantic comedy that is further burdened by being a remake. The real shame is that on paper, the film has enough comedic ingredients to make something worthwhile instead of simply unoffensive. Hit the jump for my full review.

Arthur Bach (Brand) is a drunken billionaire looking for any excuse to have fun. Luckily for him, the lack of a job and responsibilities (or consequences) means he is free to lovingly torment his nanny Hobson (Helen Mirren) and driver Bitterman (Luis Guzman). That is, until his mother finally tires of his childish ways and threatens to cut him off if he doesn’t shack up with Susan Johnson (Jennifer Garner), a feisty heiress that is interested in uniting the wealth of the two families and pleasing the valued investors. Arthur reluctantly accepts the proposal until he meets Naomi (Gerwig), who turns his world upside down. While Arthur struggles to find it in himself to part with his inheritance and earn something of his own, his immaturity puts the blossoming relationship he so desperately needs in peril.

With Peter Baynham (Borat) writing and Jason Winer (Modern Family) making his feature film debut behind the camera, one should expect a certain immature humor that aligns with Brand’s playful crassness. While toned down to secure the PG-13 rating, Brand seems just as happy to make humorous observations about the world around him. A recurring gag is for Arthur to point out a passerby’s similarity to a famous person with a stereotype twist. If you’ve ever wanted to see a lesbian version of Hall and Oates, you’re in luck.

However, if you’re looking for some true chemistry in this romantic comedy, you might want to look elsewhere. Gerwig’s Naomi is a pleasure to watch on screen, and there is even a fun connection you can feel between Arthur and her. But that hardly qualifies as romance. Instead we get the type of innocent fireworks that seem fit for grade school, not grown adults. The tone seems to be at fault, but Winer’s polish from television should have helped avoid that obstacle. Unfortunately,Arthur continually smashes head-long into it.

Then there is the attempt at genuine heart. Mirren’s Hobson has an endless supply of patience and while Mirren hardly shows it on screen, there is a sense of ease with Brand. Her stern hand constantly clashes with his wild nature in humorous ways, but when things take a turn for the worse, Brand is incapable of carrying the emotional arc more than a few scenes. Additionally, there is darkness surrounding an alcoholic billionaire, but it never receives more than a few cursory references. Arthur could have just as easily been a free-spirited billionaire high on life, but the adherence to the original’s boozing theme rings hollow here.

If one were to look for remakes that carve their own identity equal or greater than their forebears,Arthur wouldn’t likely make the cut. The problem isn’t that the film lacks humor; Brand and Baynham have made sure that you’ll laugh. Instead, there is a void where there should be emotion, and the tonal shift from comedy to romantic comedy never feels complete. While this may be a minor hiccup for most involved, it’s an unfortunate start for Winer’s film career. Hopefully someone learned a lesson that sometimes it’s better to earn something for yourself than work off of other people’s plots.

Score: C-

HANNA Review

Director Joe Wright has finally proved he’s a force to be reckoned with.  Atonement was undercut by a poor script and his direction on The Soloist overpowered the story and the performances, but with his latest film Hanna, he finally strikes an impressive balance and transforms a standard revenge flick into an effective and surreal dark fairy tale that punches the landscape almost as hard as its protagonist punches her foes.  Hanna is a film that defiantly and confidently plays by its own rules and the result is an action flick that is as thoughtful as it is exhilarating.

16-year-old Hanna (Saoirse Ronan) has been brought up in the forest by her former black-ops father Erik (Eric Bana) and trained to accomplish one purpose: assassinate Erik’s former handler and his wife’s killer, Marissa Wiegler (Cate Blanchett).  Hanna can speak a variety of language and kill you eight times with her bare hands before you hit the ground in a crumpled heap, but she’s never heard music or even met another human being other than her father.  It’s with this limited but distinct set of skills that Hanna is sent out into the world to kill Marissa.  However, Hanna comes to discover that her upbringing isn’t the only thing about her that’s abnormal.

On the page, Hanna could have been a fairly forgettable action-revenge flick, but Wright imbues the entire film with a dreamlike sensibility that adds weight to the proceedings.  Everything in the picture is slightly askew and provides immediacy to Hanna’s offbeat coming-of-age tale.  There’s no reason why Ronan and Bana should talk in German accents or why Blanchett should put on such an overbearing Southern drawl, but these slight affectations add up to a film that refuses to exist solely in the realm of reality or fairy tale.  Wright understands that if he’s going to have Hanna running through an endless series of tunnels in an underground prison that apparently only houses her, then “gritty” realism simply isn’t worthy of the story he’s trying to tell.

However, Wright never forgets that his picture should also entertain and he devises some truly remarkable fight scenes.  Wright lets the physicality of the fisticuffs be perfunctory and efficient (as a father-daughter assassins would be), but lets the cinematography, editing, and the score deliver the intensity of the battles.  I rarely advocate for more violence in movies, but Hanna could have used a boost from some added brutality, which would better highlight the juxtaposition of Hanna’s off-kilter innocence and the ruthlessness of her actions.  But even confined by a PG-13 rating, Wright manages to convey the essential dichotomy of her move from innocence to experience and still ask the important question of what qualifies as “innocence”.

While the camerawork is incredible (especially a scene involving Erik taking down a group of Marissa’s henchmen), special attention is due to the music provided by the Chemical Brothers.  Every year, there are five or six scores that you rush out to buy after seeing the movie and this is one of them.  The score dances between the pulse-pounding action to almost mocking Hanna’s unconventional childhood with a playful and melodic theme.

Also worthy of credit is Ronan.  Bana and Blanchett provide strong support, but the movie truly belongs to the young actress and she does a tremendous job of balancing her character’s murderous ways with a heartfelt wonder and naivety about the larger world.  She completely understands Hanna’s strengths and vulnerabilities and the sympathy she engenders prevents the audience from writing off the character as simply “good”, “evil”, “hero”, or “anti-hero”.

Hanna reminds me of Wayne Kramer’s 2006 action-thriller Running Scared, and I mean that as high praise.  Both films successfully take a fairy-tale like narrative and transplant it into a hard-boiled, unrelenting action flick.  While Hanna doesn’t deliver the same level of brutality and violence as the R-rated Running Scared, Wright demonstrates that he’s can direct crowd-pleasing action flicks with the same level of thoughtfulness and skill that he’s brought to higher-brow fare.

Rating: A-